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The quotations below are copyright OSPL and OUSU respectively. Reproduced
without permission.
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Cherwell, Friday, 17 October 1997 by [unknown]
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BEDROCKIN'
Yes - 'Cruel and Unusual Punishment' is back with a witty and entertaining
set of sketches: 'Behind the Furniture', fresher than a newly pulled pint,
and it's got plenty of bottle too. Written by undergraduates, it's
a collection of comic scenes containing poetry, music, and dance, not to
mention the talent of the cast to pull them off.
What is most impressive is the silly range of skills the actors and the
playwrights display. One moment they are imitating contemporary
twenty-something life, and the next a cheesy dance routine from way back
in the Seventies. Although many of the actors keep the same characters,
they show great ability to metamorphose into highly varied roles -
psychopathic detectives, dissolute Manhattanites, Poet Laureates and dodgy
priests. Dan Smith (also director) deserves congratulations, not only for
co-ordinating a complicated show, but also for delivering consistently
good performances in all of his many roles.
Feel-good factor runs high in this show, not just because the cast focus
regularly on jerking themselves off[1], but also because the sketches are
written entirely by members of the cast. The dialogue is neat and
hilarious, but special attention must be given to the poetic abilities of
this group. The sketches are punctuated with a series of poems, all of
which are amusing, clever and naughty. Phil Hallard[2] is chief poet,
and manages to combine his literary talent with an
attention-seeking deliverance of his poetry. And if all that
weren't enough, the cast sing and dance too. This (unsurprisingly) is
carried off with less confidence than the rest, but that only adds to the
humour. It is truly a student production, with ample amounts of crude,
lewd and plain disgusting references, but with an enthusiastic, novel
approach.
It's a pity that this production is not in fifth week - it would offer a
great opportunity to blast away those fifth week blues. However, if you
want a good laugh now - and not too squeaky-clean a performance - and a
lot of it, go and see this frolicksome fest of furious fun!
Notes:
[1] We're not quite sure what this means. Please don't think that BTF
contains instances of solitary hand relief, because it doesn't. Sorry if this
disappoints you.
[2] In the interests of strict accuracy, poems are actually performed by
Colin Batchelor.
- The Word, issue 86, 21/10/97
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Worth Checking Out ...
'Behind the Furniture' is not where I'd advise the audience to sit for
the latest production by Cruel and Unusual Punishment. Instead you are
invited to sip a smooth cocktail of slap-stick, stupidity and song.
For those of you with a hearty appetite, this production offers 'the
Full Monty'.
Director Dan Smith and his inimitable team have put together a superb
series of sketches, skillfully written and acted with considerable
flair. The action varies from a barber-shop trio to an innuendo-filled
edition of Ornithology Today. A demonic doctor feature in this absurd
world where chairs and table converse and Sherlock Holmes is called to
investigate the murder of Rolf Harris.
'Behind the Furniture' sparkles with energy and originality. It is a
formidable combination of sharp comedy, playful pastiche and downright
crude humour, certain to tantalise your taste buds and leave you
thirsty for more.
-- Rosie McColl & Rosie Gunn
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Oxford Student, Thursday, 16 October 1997 by Paulius Kuncinas
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Who could have thought that an artist's imaginative eye should ever
forsake the heavenly heights, beautiful landscapes, to probe into such
a seemingly mundane world as the space behind the furniture? Well, it
may not be art, but a group calling themselves 'Cruel and Unusual
Punishment' (what's that supposed to suggest, exactly?) have brought
these items into the daylight, or, at least, Wadham theatre, in a
series of grotesque images of the modern age which insists that you
sit up and jolly well laugh.
[ ... Two paragraphs removed ... ]
This is a funny, imaginative, original collection of short episodes,
the sort of thing which could work well in the space-restrictive area
of Wadham theatre. Director Dan Smith shows a flair for
experimentation, never falling for the annoying student thesp trick:
the act-or/direct-or who wants to be oh-so-terribly profound and
enlighten his contemporaries. Grotesque, occasionally silly, a feast
of diversity aimed primarily at comedy-lovers. You won't be
disappointed (though you might be confused).
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